Born in Los Angeles, California, David can best be described as a Renaissance man of sorts with experience and interest in a number of fields including film, music, and literature - this biography aims to focus primarily on his musical activities. While there were a few in the music world who knew of David having produced and directed a number of DVD’s for legendary English progressive rock band Camel, most were unaware of David’s musical background until it was announced that he would be releasing his own album Random Acts of Beauty in 2010.
David began classical piano training at the age of five and by the time he was 15 was asked to turn professional. Of course that would have meant practicing for at least four hours a day. But between school, baseball, friends, and his new hobby – filmmaking, there was little chance of that happening. So to the chagrin of his piano teacher who had invested ten years into him, David quit lessons altogether. Over the next year, his love of music would subsequently be replaced by his fascination with making films.
However a chance encounter with the song Land of Make Believe by the Moody Blues on the radio would have a dramatic effect…
“I was intrigued by the combination of flutes, fuzzy guitars, soaring melodies, heavenly vocals, and strange sounding strings, which I later learned came from some kind of keyboard called a mellotron. The song was unlike anything I’d ever heard before. I immediately called up the radio station and asked them to play it again, which is what you did in those days. Seventh Sojourn became the first album I ever bought as a kid and its follow-up, Blue Jays, convinced me that I had to try my own hand at writing music. Those two albums also led me on a wonderful journey of discovery into the world of progressive music which included bands like Genesis, Yes, Jethro Tull, Renaissance, Barclay James Harvest, Strawbs, and of course Camel.”
After graduating with honors with a degree in film, David began working freelance for a number of production companies around LA as a producer/director and occasional soundtrack composer. In his spare time he busily recorded demos. His first ever studio recorded song, Words and Whispers, featured lyrics by Ed Metcalf – a gentleman who had previously ghost-written a couple of number-one songs for a very famous pop star…
“I knew that record companies were looking for hits, but I wasn’t about to abandon my progressive roots. So I developed two different styles of writing – the short, catchy, hook laden songs that got played for the record executives, and the 10 minute works of art that I wanted to hear.”
Those tapes led to an offer of free studio time from pop act The Captain and Tennille during the height of their popularity at their state-of-the-art recording facility in the San Fernando Valley. Sessions yielded top quality masters for three tracks, but no label interest resulted. Record companies in LA were obsessed with disco, followed by punk, and then New Wave. David’s songs and image simply didn’t fit in, and ‘prog’ was the last thing they wanted.
Undeterred, David then embarked on the ambitious idea of recording his own album independently where he would serve as keyboardist/composer/producer and ultimately lead singer. The result was Tales of Heroes and Lovers, a lush symphonic rock album which had little to do with the current trends of the 80’s. With access to the latest film and editing facilities through his work, David was able to write, produce, and direct a music video for one of the album’s tracks entitled It’s Driving Me Crazy…
“The album itself was deadly serious, so I decided to take a comedic approach with the video. It actually turned out pretty funny – what with floating cats, beer drinking sea creatures, and girls falling off cliffs. Weird Al would later make a career out of doing such videos, but I might have been first. I sent the video in to MTV which had just exploded onto the scene and they decided to play it. They even began using the sequence of the pretty girl putting suntan lotion on the monster in their ads.”
The video brought David to the attention of legendary group Three Dog Night who asked him to write and direct the video for their latest song Shot In The Dark. The video was significant in that it would mark the last time the three primary members of the band would appear together – singer Chuck Negron would be asked to leave the band soon thereafter.
At the same time David began recording and playing live with a local band called ‘Influence’ which featured guitarist Jeff Burton, son of Rock and Roll Hall of Famer James Burton – renowned guitarist for Elvis Presley, John Denver, and Jerry Lee Lewis.
Meanwhile, David’s album found its way to Spencer Proffer, the eccentric president of Pasha/CBS Records who was currently riding high as a result of his success with Quiet Riot. Rather than releasing the “Tales” album, David was asked to record a brand new one. Ex-Yes and Moody Blues keyboardist Patrick Moraz agreed to produce but would subsequently have to back out due to scheduling conflicts - a direct result of the Moody Blues' latest single Your Wildest Dreams becoming hugely successful. With Pasha staffer Rand Bishop now in the producer’s chair, David was teamed with talented Australian singer Chris Lloyds under the name Plan B. Although an album’s worth of material was eventually recorded, the project was nevertheless shelved and Chris returned to Australia.
The early 90’s saw David joining up with a new singer William Drews and another independent album was released titled It’s Not Too Late.
In 1996, David was asked to produce and direct a concert video, Coming of Age, and a documentary, Curriculum Vitae, for English progressive rock band Camel – one of his all time favorite bands. A friendship would soon develop between David and the band’s leader Andrew Latimer, generally viewed as one of the world’s greatest guitarists, and his partner/lyricist Susan Hoover. Over the next decade and a half, David would produce and direct a total of seven DVD’s for Camel Productions including their latest release The Opening Farewell.
In 1998, David began working as a second unit director on the feature film The Joyriders starring Academy Award winner Martin Landau, Kris Kristofferson, Shawn Hatosy, Elisabeth Moss, and Heather McComb. David ended up composing the film’s main theme song So Far From Home which became EMI’s first single release from the soundtrack album.
Finally in 2009, David began thinking about the idea of recording a new album. And in June of that year, with the encouragement of Andrew Latimer, decided to go ahead with it. The album titled Random Acts of Beauty sees David on keyboards (grand piano, harpsichord, mellotron, moog, and orchestrations), 12 string acoustic guitars, bass, and a return to lead vocals – something he hasn’t done since the “Tales of Heroes…” album. Joining David is his 20 year old son Justin Minasian on electric lead and rhythm guitars along with very special guest Andrew Latimer of Camel who appears on the track Masquerade…
“The album includes mostly brand new material along with one or two pieces I wrote back in the pre-Tales days! I truly hope that the lush, symphonic, melancholic, melodic, classically-tinged progressive rock we create will find a home in some of your hearts.”
As if to add a final coda to the overall proceedings, the man who had originally inspired David to try his hand in the music business, Justin Hayward of the Moody Blues – writer of such classics as Nights in White Satin, Tuesday Afternoon, Your Wildest Dreams, and the song that started it all, Land of Make Believe – had this to say about David’s composition Blue Rain, one of the many highlights from Random Acts of Beauty…
“It’s a lovely song… I really like the feel of the vocal on there… The guitar solo sound is fabulous and it’s a very Moody track. I’m sure it will be a great album for David.” (Justin Hayward, January 7, 2010)
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